1 00:00:04,320 --> 00:00:06,080 [CARL'S THOUGHTS ECHO]: I NEVER SHOULD HAVE DONE THIS. 2 00:00:06,120 --> 00:00:08,120 I WASN'T READY. 3 00:00:11,320 --> 00:00:13,880 I LET HER GO IN BY HERSELF. 4 00:00:16,280 --> 00:00:18,240 I LEFT HER ALONE. 5 00:00:18,280 --> 00:00:20,400 I NEVER SHOULD HAVE DONE THIS. 6 00:00:20,440 --> 00:00:23,480 I WASN'T READY. 7 00:00:23,520 --> 00:00:26,520 I NEVER SHOULD HAVE DONE THIS... 8 00:00:28,000 --> 00:00:29,640 THERE SHE IS. 9 00:00:29,680 --> 00:00:32,600 [♪♪♪] 10 00:00:48,200 --> 00:00:49,920 [♪♪♪] 11 00:00:49,960 --> 00:00:52,040 BASTARDO. 12 00:00:52,080 --> 00:00:54,640 CARL. YOU COULDN'T HAVE KNOWN. 13 00:00:54,680 --> 00:00:56,280 NO! I SHOULD'VE KNOWN. 14 00:00:56,320 --> 00:00:59,040 AND IF I WERE CLEAR-HEADED, I WOULD HAVE KNOWN! 15 00:00:59,080 --> 00:01:00,400 CARL, I NEED YOU. 16 00:01:00,440 --> 00:01:01,800 WHY DO YOU NEED 17 00:01:01,840 --> 00:01:04,160 A GUY WHO LETS HIS PARTNER WALK INTO AN AMBUSH? 18 00:01:04,200 --> 00:01:06,080 WHAT EXACTLY AM I-- 19 00:01:06,120 --> 00:01:07,520 WHAT AM I GIVING TO YOUR TEAM? 20 00:01:07,560 --> 00:01:08,840 SO YOU'RE RUNNING AWAY? 21 00:01:08,880 --> 00:01:11,480 ACCEPTING MY LIMITATIONS ISN'T RUNNING AWAY. 22 00:01:11,520 --> 00:01:14,120 I'M NOT RISKING ANY MORE COPS 23 00:01:14,160 --> 00:01:16,120 PRETENDING THAT I CAN STILL DO THE JOB AGAIN. 24 00:01:16,160 --> 00:01:17,520 YOU KNOW WHAT? 25 00:01:17,560 --> 00:01:19,520 WHEN THIS IS OVER, I DON'T GIVE A DAMN WHAT YOU DO, 26 00:01:19,560 --> 00:01:22,840 BUT I GAVE YOU THE AUTHORITY TO BE A COP AGAIN, 27 00:01:22,880 --> 00:01:24,040 SO DO IT! 28 00:01:24,080 --> 00:01:26,560 AFTER, YOU CAN CRAWL BACK TO YOUR CARNIVAL. 29 00:01:26,600 --> 00:01:27,720 I DON'T CARE, 30 00:01:27,760 --> 00:01:29,920 BUT THIS IS YOUR MESS TO CLEAN UP! 31 00:01:34,080 --> 00:01:37,160 IF WE FIND THIS GIRL ALIVE... 32 00:01:38,720 --> 00:01:40,240 I'M OUT. 33 00:01:40,280 --> 00:01:42,240 YOU UNDERSTAND? 34 00:01:42,280 --> 00:01:44,200 I'M OUT. 35 00:01:47,720 --> 00:01:49,680 FINE. 36 00:01:51,800 --> 00:01:53,840 [♪♪♪] 37 00:01:53,880 --> 00:01:55,040 SEE WHAT HE DOES? 38 00:01:55,080 --> 00:01:56,840 COME HERE. 39 00:01:56,880 --> 00:01:58,840 [♪♪♪] 40 00:01:58,880 --> 00:02:00,920 HE PUSHED THE BODY WAY BACK THERE, 41 00:02:00,960 --> 00:02:02,080 AND THEN HE GOES TO HIDE. 42 00:02:02,120 --> 00:02:04,080 SO, WHEN ANNE-MARIE COMES IN, 43 00:02:04,120 --> 00:02:06,320 SHE'S DRAWN TOWARDS THE BODY? 44 00:02:06,360 --> 00:02:09,320 [♪♪♪] 45 00:02:10,640 --> 00:02:12,840 [EVA]: THEN HE GRABS THE EVIDENCE BAG WITH THE SHOE 46 00:02:12,880 --> 00:02:14,120 AND DOESN'T LOOK AT IT. 47 00:02:14,160 --> 00:02:15,800 LIKE HE ALREADY KNEW WHAT WAS IN IT. 48 00:02:15,840 --> 00:02:17,640 AND WHO WAS COMING. 49 00:02:17,680 --> 00:02:18,880 HE DID. 50 00:02:18,920 --> 00:02:22,160 HE KNEW THAT SHOE WAS OUT THERE SOMEWHERE. 51 00:02:22,200 --> 00:02:24,000 WE FOUND TRACKS WHERE HE WAS 52 00:02:24,040 --> 00:02:25,120 SEARCHING FOR THEM. 53 00:02:25,160 --> 00:02:27,960 HE WAS THERE... 54 00:02:28,000 --> 00:02:30,120 WAITING FOR US TO FIND SOMETHING, 55 00:02:30,160 --> 00:02:31,400 OR THE SCENE TO OPEN UP. 56 00:02:31,440 --> 00:02:35,080 THIS GUY IS METHODICAL, THOROUGH AND SMART. 57 00:02:35,120 --> 00:02:37,240 SMARTER THAN US. 58 00:02:37,280 --> 00:02:38,400 YOU SPEAK FOR YOURSELF. 59 00:02:38,440 --> 00:02:39,880 I AM. 60 00:02:39,920 --> 00:02:41,680 WE HAVE THE CUSTOMERS DATABASE. IT MAY BE HELPFUL. 61 00:02:41,720 --> 00:02:43,640 -LOOK FOR MALE NAMES. -MALE? 62 00:02:43,680 --> 00:02:46,200 HE MAY HAVE SEEN US FIND THE SHOE... 63 00:02:47,760 --> 00:02:50,640 BUT HOW WOULD HE HAVE KNOWN THAT THIS IS THE STORE? 64 00:02:50,680 --> 00:02:52,360 THIS IS THE VERY STORE! 65 00:02:52,400 --> 00:02:54,840 DID HE NOT SHOW UP HERE FIRST? 66 00:02:56,760 --> 00:02:57,880 HE BOUGHT THEM. 67 00:02:57,920 --> 00:02:59,960 [TOMMY]: SON OF A BITCH. 68 00:03:00,000 --> 00:03:01,160 MY SCANGEN. 69 00:03:01,200 --> 00:03:04,440 IF HE WAS WAITING THE WHOLE TIME... 70 00:03:04,480 --> 00:03:06,320 I USED THE LASERS AT THE SCENE. 71 00:03:06,360 --> 00:03:07,920 ARE YOU SAYING WE MIGHT HAVE A PICTURE OF HIM? 72 00:03:07,960 --> 00:03:10,880 WELL, NOT A PICTURE EXACTLY, BUT AN IMAGE. IT'S POSSIBLE. 73 00:03:10,920 --> 00:03:13,360 I NEED A FACE TO RUN THROUGH INTERPOL. 74 00:03:13,400 --> 00:03:15,920 WELL... SCANNER'S AT THE CRIME SQUAD. 75 00:03:15,960 --> 00:03:18,560 THAT'S WHERE WE START. 76 00:03:21,360 --> 00:03:23,760 [♪♪♪] 77 00:03:29,760 --> 00:03:31,480 [DRIVER, MUFFLED ANGST]: NO... I TRIED! 78 00:03:31,520 --> 00:03:34,880 IT'S TOO FAST! DO YOU UNDERSTAND? 79 00:03:34,920 --> 00:03:37,320 NO! I TRIED! I TRIED. 80 00:03:37,360 --> 00:03:39,840 I DID! I DID-- 81 00:03:39,880 --> 00:03:42,000 I NEED TIME TO THINK, OKAY? 82 00:03:42,040 --> 00:03:43,800 I JUST NEED A LITTLE TIME TO TH-- 83 00:03:43,840 --> 00:03:45,840 [CELL PHONE RINGS] 84 00:03:47,880 --> 00:03:49,800 [WITH FORCED CHEER]: THIS IS GERALD. 85 00:03:49,840 --> 00:03:51,560 [♪♪♪] 86 00:03:51,600 --> 00:03:53,000 HI, YES, MA'AM. 87 00:03:53,040 --> 00:03:54,400 NO, NO, NO, NO, NO. 88 00:03:54,440 --> 00:03:56,760 EVERYTHING'S COMPLETELY TAKEN CARE OF IN PARIS. 89 00:03:56,800 --> 00:03:59,160 YES, YOU KNOW I NEVER LEAVE THINGS HALF-COMPLETED. 90 00:03:59,200 --> 00:04:00,960 OF COURSE. OF COURSE. 91 00:04:01,000 --> 00:04:02,880 I ALWAYS HAVE MY CELL PHONE WITH ME. 92 00:04:02,920 --> 00:04:05,040 YES. 93 00:04:05,080 --> 00:04:08,200 YES, MA'AM. I WILL. 94 00:04:08,240 --> 00:04:09,520 THANK YOU. 95 00:04:09,560 --> 00:04:11,600 [INHALES SHARPLY AS HE BEEPS THE PHONE OFF] 96 00:04:11,640 --> 00:04:13,960 [ROARS]: WILL I HAVE MY PHONE WITH ME? 97 00:04:14,000 --> 00:04:16,200 DON'T I ALWAYS, YOU RIDICULOUS BITCH? 98 00:04:16,240 --> 00:04:17,480 [POUNDING STEERING WHEEL] 99 00:04:17,520 --> 00:04:20,880 HAVE I EVER, EVEN ONCE, 100 00:04:20,920 --> 00:04:22,200 NOT HAD MY PHONE WITH ME 101 00:04:22,240 --> 00:04:25,760 WHEN YOU CALL, OVER AND OVER, 102 00:04:25,800 --> 00:04:27,240 AND YOU CALL AND YOU CALL? 103 00:04:27,280 --> 00:04:30,720 YES! I HAVE MY PHONE! I HAVE MY PHONE! 104 00:04:30,760 --> 00:04:32,960 I HAVE... MY PHONE! 105 00:04:33,000 --> 00:04:35,520 [♪♪♪] 106 00:04:38,160 --> 00:04:40,280 -WHERE DO WE GO? -UPSTAIRS. 107 00:04:40,320 --> 00:04:42,160 EVA, CAN YOU BRING THE BLUE BAG? 108 00:04:42,200 --> 00:04:43,560 WHAT'S IN IT? 109 00:04:43,600 --> 00:04:45,120 PLUGS AND ADAPTORS. 110 00:04:45,160 --> 00:04:46,320 ANYTHING FROM THE CHECKPOINTS? 111 00:04:46,360 --> 00:04:47,560 NOTHING SO FAR, 112 00:04:47,600 --> 00:04:49,280 BUT WE'LL KEEP THEM UP AS LONG AS IT TAKES. 113 00:04:49,320 --> 00:04:51,240 UH, YOU'LL SAY THIS WAS YOUR OPERATION, RIGHT? 114 00:04:51,280 --> 00:04:53,280 [PRISONER BANGS CELL WALL] 115 00:04:53,320 --> 00:04:55,840 YEAH. IT WAS MY RESPONSIBILITY. 116 00:04:56,880 --> 00:04:59,080 YOU DO KNOW THE KILLER MUST'VE GOTTEN PAST 117 00:04:59,120 --> 00:05:00,440 ANY CHECKPOINTS BY NOW. 118 00:05:00,480 --> 00:05:02,240 THIS GUY CAN'T STOP EVERY ROUTE OUT OF PARIS. 119 00:05:02,280 --> 00:05:04,360 YES. I KNOW. 120 00:05:04,400 --> 00:05:06,840 HE'S KEEPING THEM UP TO COVER HIMSELF. 121 00:05:06,880 --> 00:05:07,840 [CELL PHONE RINGS] 122 00:05:07,880 --> 00:05:10,080 EXCUSE ME? 123 00:05:12,480 --> 00:05:13,880 DORN? 124 00:05:13,920 --> 00:05:15,600 I'M IN PARIS. 125 00:05:15,640 --> 00:05:16,960 I NEED TO SPEAK WITH YOU. 126 00:05:17,000 --> 00:05:18,400 I CAN'T. 127 00:05:18,440 --> 00:05:20,400 I DIDN'T SAY IT WOULD BE NICE TO SPEAK WITH YOU, 128 00:05:20,440 --> 00:05:21,920 I SAID I NEED TO. 129 00:05:21,960 --> 00:05:23,760 ABOUT? 130 00:05:23,800 --> 00:05:24,880 YOU SON, ETIENNE. 131 00:05:24,920 --> 00:05:27,760 OKAY. 132 00:05:27,800 --> 00:05:28,640 SO THE ROOM BACK THERE'S OKAY? 133 00:05:28,680 --> 00:05:29,680 TO THE LEFT. 134 00:05:29,720 --> 00:05:31,720 CAN I HELP YOU? 135 00:05:34,040 --> 00:05:35,600 CARL, I NEED TO GO SOMEWHERE. 136 00:05:35,640 --> 00:05:37,280 MEET WITH A SOURCE. 137 00:05:37,320 --> 00:05:39,120 YEAH. YEAH, I GOT THIS. 138 00:05:42,680 --> 00:05:43,720 HICKMAN. 139 00:05:43,760 --> 00:05:46,760 THE CRIME SCENE PHOTOS. 140 00:05:46,800 --> 00:05:47,920 PARIS. 141 00:05:47,960 --> 00:05:49,120 LONDON. 142 00:05:49,160 --> 00:05:52,240 ROME. DUBLIN. EVERY SCENE, EVERY BODY. 143 00:05:52,280 --> 00:05:54,720 YOU'RE SCOTLAND YARD, RIGHT? 144 00:05:54,760 --> 00:05:57,400 WE CALL IT THE MET, BUT, YEAH. 145 00:05:57,440 --> 00:05:59,480 YOU HAVE ACCESS TO THEIR DATABASES? 146 00:05:59,520 --> 00:06:00,600 YEAH. 147 00:06:00,640 --> 00:06:02,000 I'M THINKIN'... 148 00:06:02,040 --> 00:06:03,800 WE KNOW THIS GUY IS MOBILE, RIGHT? 149 00:06:03,840 --> 00:06:05,760 FOUR BODIES, FOUR DIFFERENT COUNTRIES. 150 00:06:05,800 --> 00:06:07,120 BUT WHAT IF THE WOMEN MISSING 151 00:06:07,160 --> 00:06:08,960 AREN'T FROM THE COUNTRY THEY WERE FOUND IN? 152 00:06:09,000 --> 00:06:11,080 WHAT IF THE MISSING WOMEN ARE FROM THE PREVIOUS ONE? 153 00:06:11,120 --> 00:06:13,360 YOU MEAN LIKE THE GIRL WE FOUND IN PARIS 154 00:06:13,400 --> 00:06:14,480 COULD BE FROM LONDON? 155 00:06:14,520 --> 00:06:15,880 YEAH. 156 00:06:15,920 --> 00:06:17,680 MAYBE YOUR FRIENDS AT THE YARD 157 00:06:17,720 --> 00:06:19,040 COULD RECHECK OUR PARIS GIRL... 158 00:06:19,080 --> 00:06:21,600 WITH MISSINGS FROM THE U.K.? 159 00:06:21,640 --> 00:06:23,480 YEAH. YEAH, THAT MIGHT WORK. 160 00:06:25,880 --> 00:06:28,120 [MUTTERS UNDER HIS BREATH]: HANG ON, ANNE-MARIE. 161 00:06:28,160 --> 00:06:30,920 [♪♪♪] 162 00:06:30,960 --> 00:06:33,200 [TIRE POPS AND SQUEALS] 163 00:06:37,560 --> 00:06:39,960 [TIRES SQUEALING] 164 00:06:42,640 --> 00:06:45,160 OKAY. OKAY... 165 00:06:45,200 --> 00:06:46,880 OKAY, THAT HAPPENED. 166 00:06:46,920 --> 00:06:48,000 I NEED TO THINK. 167 00:06:48,040 --> 00:06:51,200 I TRIED. I TRIED. 168 00:06:59,000 --> 00:07:00,680 THIS IS WHAT HAPPENS, GERALD. 169 00:07:00,720 --> 00:07:03,680 THIS IS WHAT HAPPENS WITHOUT CONTROL. 170 00:07:17,920 --> 00:07:20,280 [♪♪♪] 171 00:07:34,280 --> 00:07:35,560 [SHE SHRIEKS] 172 00:07:37,720 --> 00:07:39,720 I KNEW YOU'D BE AWAKE. 173 00:07:41,080 --> 00:07:43,600 [CELL PHONE RINGS] 174 00:07:43,640 --> 00:07:46,160 PADMA! CAN YOU HOLD ON A SEC? 175 00:07:49,960 --> 00:07:51,040 [HUSHED]: HI! 176 00:07:51,080 --> 00:07:53,120 OH... 177 00:07:53,160 --> 00:07:55,200 THAT'S SWEET OF YOU TO REMEMBER. 178 00:07:55,240 --> 00:07:57,960 UH, NO, ACTUALLY, I'M IN PARIS ON A CASE. 179 00:07:58,000 --> 00:08:01,520 YOU KNOW I DON'T REALLY LIKE TO CELEBRATE ANYWAY. 180 00:08:01,560 --> 00:08:04,440 THANKS, PADMA. I MISS YOU, TOO. 181 00:08:04,480 --> 00:08:07,880 CHEERS. THANKS FOR THE CALL. 182 00:08:07,920 --> 00:08:09,120 [BEEPS PHONE OFF] 183 00:08:15,120 --> 00:08:17,080 OKAY, GUYS, IT'S READY. 184 00:08:17,120 --> 00:08:20,200 [♪♪♪] 185 00:08:20,240 --> 00:08:22,200 SOMEONE SWITCH OFF THE LIGHTS? 186 00:08:23,920 --> 00:08:25,120 THANKS. 187 00:08:25,160 --> 00:08:27,360 OKAY, NOW, REMEMBER. 188 00:08:27,400 --> 00:08:29,760 THIS IS JUST THE PORTABLE VERSION OF THE DEVICE, SO-- 189 00:08:29,800 --> 00:08:31,840 JUST TURN IT ON. 190 00:08:31,880 --> 00:08:32,880 RIGHT. 191 00:08:32,920 --> 00:08:34,440 HERE GOES. 192 00:08:34,480 --> 00:08:36,800 [♪♪♪] 193 00:08:36,840 --> 00:08:38,200 WOW. 194 00:08:38,240 --> 00:08:40,160 [SIENNA]: THAT IS PRETTY IMPRESSIVE, SEBASTIAN. 195 00:08:40,200 --> 00:08:41,920 IN A MORE CONTROLLED ENVIRONMENT, 196 00:08:41,960 --> 00:08:44,040 WE COULD EVEN LOOK FOR EVIDENCE THAT WAS MISSED. 197 00:08:44,080 --> 00:08:46,520 RIGHT NOW, ALL WE NEED IS AN IMAGE OF ONE WANKER. 198 00:08:46,560 --> 00:08:48,640 THIS GUY WOULD'VE GOTTEN AS CLOSE AS POSSIBLE 199 00:08:48,680 --> 00:08:50,200 WITHOUT ATTRACTING ATTENTION. 200 00:08:50,240 --> 00:08:52,440 YEAH. OUTSIDE THE TAPE, RIGHT? THAT'S A GOOD DISTANCE. 201 00:08:52,480 --> 00:08:56,160 LET ME WIDEN IT OUT TO THE LIMIT OF THE SCAN. 202 00:08:56,200 --> 00:08:58,720 [♪♪♪] 203 00:09:08,400 --> 00:09:10,160 AM I MISSING SOMETHING? 204 00:09:10,200 --> 00:09:11,360 IF YOU ARE, I AM, TOO. 205 00:09:11,400 --> 00:09:14,440 [♪♪♪] 206 00:09:14,480 --> 00:09:17,000 WAIT. WHAT'S THAT? 207 00:09:17,040 --> 00:09:19,000 [♪♪♪] 208 00:09:19,040 --> 00:09:21,680 OH, THAT'S THE ENTRANCE TO THE CRIME SCENE. 209 00:09:21,720 --> 00:09:22,920 WASN'T THERE A GUARD THERE? 210 00:09:22,960 --> 00:09:24,000 YEAH. 211 00:09:24,040 --> 00:09:25,040 LET'S HAVE A CLOSER LOOK. 212 00:09:25,080 --> 00:09:28,000 [♪♪♪] 213 00:09:28,040 --> 00:09:29,160 YEAH. I REMEMBER HIM. 214 00:09:29,200 --> 00:09:31,000 -YOUNG GUY. -AND ANYONE TRYING-- 215 00:09:31,040 --> 00:09:33,320 ...TO GET INTO THE SCENE WOULD'VE HAD TO TALK TO HIM. 216 00:09:33,360 --> 00:09:34,880 SO THIS MAKES 217 00:09:34,920 --> 00:09:36,840 THIS GUARD POTENTIALLY OUR FIRST EYE-WITNESS. 218 00:09:36,880 --> 00:09:38,560 ANNE-MARIE KNEW HIM. HIS NAME WAS-- 219 00:09:38,600 --> 00:09:40,080 LAFFONT. 220 00:09:41,760 --> 00:09:44,320 CADET ANTOINE LAFFONT. 221 00:09:44,360 --> 00:09:46,720 ALL RIGHT, THEN, I'LL GO AND TALK TO HIM. 222 00:09:46,760 --> 00:09:48,800 I'LL GO WITH YOU. WE SHOULD STAY PAIRED UP. 223 00:09:48,840 --> 00:09:50,280 [♪♪♪] 224 00:09:50,320 --> 00:09:51,840 [CARL'S]: I'M STARTING TO THINK WE NEED TO RELY ON 225 00:09:51,880 --> 00:09:53,440 THE WORST THING A COP EVER HAS TO... 226 00:09:55,760 --> 00:09:57,920 LUCK. 227 00:09:59,320 --> 00:10:03,320 [♪♪♪] 228 00:10:13,720 --> 00:10:16,280 [♪♪♪] 229 00:10:21,720 --> 00:10:23,880 [♪♪♪] 230 00:10:29,560 --> 00:10:31,200 BONSOIR, MONSIEUR. 231 00:10:31,240 --> 00:10:32,200 BONSOIR. 232 00:10:32,240 --> 00:10:33,480 THOUGH I WARN YOU, 233 00:10:33,520 --> 00:10:35,040 THAT IS CLOSE TO THE LIMIT OF MY FRENCH. 234 00:10:35,080 --> 00:10:36,280 AMERICAN? 235 00:10:36,320 --> 00:10:39,040 GUILTY. I'M WITH THE DIPLOMATIC CORPS. 236 00:10:39,080 --> 00:10:42,160 THIS IS AN EMBASSY VEHICLE. 237 00:10:42,200 --> 00:10:44,920 I SEE THE PLATES. 238 00:10:44,960 --> 00:10:47,080 I HAD A FLAT I FIXED, 239 00:10:47,120 --> 00:10:48,200 AND I'M SORT OF IN A HURRY. 240 00:10:48,240 --> 00:10:50,440 WHERE'D THE BLOOD COME FROM? 241 00:10:53,040 --> 00:10:55,680 OH, THAT? [LAUGHS] 242 00:10:55,720 --> 00:10:58,200 THIS IS SO FUNNY. 243 00:10:58,240 --> 00:10:59,280 I WAS, UH... 244 00:10:59,320 --> 00:11:00,760 I WAS TIGHTENING THE BOLTS, 245 00:11:00,800 --> 00:11:04,240 AND MY HAND SLIPPED, AND I HIT MYSELF IN THE FACE. 246 00:11:04,280 --> 00:11:05,520 MY NOSE IS VERY SENSITIVE. 247 00:11:05,560 --> 00:11:08,720 IT BLEEDS VERY EASILY. 248 00:11:08,760 --> 00:11:10,680 SEE? [SNIFFS DEMONSTRABLY] 249 00:11:12,120 --> 00:11:13,760 I DON'T MEAN TO BE DISRESPECTFUL, 250 00:11:13,800 --> 00:11:17,080 BUT I REALLY SHOULD BE GETTING BACK ON THE ROAD. 251 00:11:17,120 --> 00:11:19,880 [♪♪♪] 252 00:11:23,880 --> 00:11:25,640 MERCI. 253 00:11:31,720 --> 00:11:33,240 I'LL HELP. 254 00:11:33,280 --> 00:11:34,680 NO, NO, NO, NO, NO, NO! 255 00:11:34,720 --> 00:11:36,600 I... IT'S-- AS I SAID, IT'S FIXED. 256 00:11:36,640 --> 00:11:38,240 OPEN THE TRUNK. 257 00:11:38,280 --> 00:11:39,840 NO! UM-- 258 00:11:39,880 --> 00:11:42,480 I'D RATHER YOU PUT IT IN THE BACK SEAT. 259 00:11:42,520 --> 00:11:44,520 IT WILL TEAR YOUR LEATHER. 260 00:11:44,560 --> 00:11:47,560 THE-- THE AMBASSADOR'S SUITCASES 261 00:11:47,600 --> 00:11:49,400 AND PERSONAL ITEMS ARE IN THAT TRUNK. 262 00:11:49,440 --> 00:11:51,520 I CANNOT ALLOW THEM TO BE DAMAGED. 263 00:11:51,560 --> 00:11:53,160 I WOULD RATHER DAMAGE THESE SEATS 264 00:11:53,200 --> 00:11:55,840 THAN THE AMBASSADOR'S HAT BOXES. 265 00:11:55,880 --> 00:11:57,360 THE RICH COW... 266 00:11:57,400 --> 00:12:01,000 SHE WOULD HAVE ME SACKED WITHIN THE HOUR. 267 00:12:08,640 --> 00:12:11,000 [♪♪♪] 268 00:12:12,080 --> 00:12:13,800 THANK YOU SO MUCH, OFFICER. 269 00:12:13,840 --> 00:12:15,280 THAT IS VERY KIND OF YOU. 270 00:12:15,320 --> 00:12:17,560 MERCI. MERCI BEAUCOUP. 271 00:12:17,600 --> 00:12:19,680 -BONSOIR. -BONSOIR. 272 00:12:21,840 --> 00:12:25,000 [♪♪♪] 273 00:12:33,520 --> 00:12:34,600 HE'S A RUSSIAN. 274 00:12:34,640 --> 00:12:37,600 AN EX-COLONEL OF THE ARMY. 275 00:12:37,640 --> 00:12:40,320 WENT UNDERGROUND ABOUT 20 YEARS AGO... 276 00:12:40,360 --> 00:12:42,280 TOOK AN ARMORY 277 00:12:42,320 --> 00:12:45,640 AND A CADRE OF VERY LOYAL OFFICERS WITH HIM. 278 00:12:47,680 --> 00:12:49,160 DIMITROV. 279 00:12:49,200 --> 00:12:51,800 ALEXANDER DIMITROV. 280 00:12:51,840 --> 00:12:53,520 YOU'RE SURE? 281 00:12:53,560 --> 00:12:56,480 I HAVE KNOWN MY SOURCE FOR A VERY LONG TIME... 282 00:12:56,520 --> 00:12:58,520 AND THEY ARE SURE. 283 00:12:58,560 --> 00:12:59,920 DO YOU TRUST THEM? 284 00:12:59,960 --> 00:13:01,840 YES. 285 00:13:01,880 --> 00:13:04,280 BUT MORE THAN THAT, LOUIS... 286 00:13:04,320 --> 00:13:06,040 I TRUST FEAR, 287 00:13:06,080 --> 00:13:07,720 BECAUSE, IF THERE IS ANYTHING IN THIS WORLD 288 00:13:07,760 --> 00:13:09,280 THAT I KNOW ANYTHING ABOUT, 289 00:13:09,320 --> 00:13:10,600 IT'S FEAR, 290 00:13:10,640 --> 00:13:14,040 AND THESE PEOPLE FEAR THAT MAN, 291 00:13:14,080 --> 00:13:18,040 AND THEY WANT HIM STOPPED ALMOST AS MUCH AS YOU DO. 292 00:13:18,080 --> 00:13:20,000 "ALMOST." 293 00:13:22,040 --> 00:13:26,520 I WAS ABLE TO OBTAIN EVERYTHING YOU ASKED ME TO GET FOR YOU, 294 00:13:26,560 --> 00:13:28,480 BUT I WANT YOU TO THINK ABOUT IT. 295 00:13:28,520 --> 00:13:30,840 IF YOU LET ME TAKE THIS ENVELOPE, 296 00:13:30,880 --> 00:13:33,200 UNOPENED... 297 00:13:33,240 --> 00:13:35,160 I WILL USE ITS CONTENTS 298 00:13:35,200 --> 00:13:38,520 TO MAKE HIM PAY FOR WHAT HE DID TO ETIENNE, 299 00:13:38,560 --> 00:13:41,560 FOR WHAT HE DID TO YOU AND REBECCA. 300 00:13:41,600 --> 00:13:43,360 I DON'T UNDERSTAND. 301 00:13:43,400 --> 00:13:44,720 I WILL FIND HIM 302 00:13:44,760 --> 00:13:47,520 AND I WILL BRING HIM TO JUSTICE IN THE COURTS. 303 00:13:47,560 --> 00:13:50,280 YOU'VE KILLED BEFORE, BUT YOU WON'T KILL HIM? 304 00:13:50,320 --> 00:13:51,640 WELL, I'VE NEVER MURDERED ANYONE. 305 00:13:51,680 --> 00:13:52,680 IT'S NOT THE SAME. 306 00:13:52,720 --> 00:13:54,840 SO WHY UNOPENED? 307 00:13:54,880 --> 00:13:59,400 BECAUSE IT CONTAINS EVERYTHING YOU NEED TO KNOW TO FIND HIM, 308 00:13:59,440 --> 00:14:01,960 AND I WILL NOT HAVE YOU HUNTING FOR HIM 309 00:14:02,000 --> 00:14:04,080 WHILE I AM. 310 00:14:05,320 --> 00:14:07,480 I NEED TO THINK ABOUT IT. 311 00:14:10,520 --> 00:14:13,520 HOW IS YOUR CASE GOING? 312 00:14:13,560 --> 00:14:15,800 WE'LL GET HIM. 313 00:14:15,840 --> 00:14:17,840 I HAVE NO DOUBT. 314 00:14:19,280 --> 00:14:20,440 [SIGHS] 315 00:14:23,600 --> 00:14:27,360 NO DOUBT... AT ALL. 316 00:14:30,360 --> 00:14:33,080 LAFFONT GETS OFF SHIFT IN FIVE MINUTES. 317 00:14:39,000 --> 00:14:40,760 HOLD ON. 318 00:14:43,480 --> 00:14:45,560 YOU KNOW ALL THAT BOLLOCKS I SAID EARLIER, 319 00:14:45,600 --> 00:14:48,720 ABOUT HOW GREAT HAVIN' A BIG FAMILY IS? 320 00:14:48,760 --> 00:14:50,480 THAT WAS BOLLOCKS, WAS IT? 321 00:14:50,520 --> 00:14:52,120 MY DA... 322 00:14:52,160 --> 00:14:54,240 [SCOFFS BITTERLY] 323 00:14:54,280 --> 00:14:56,560 MY DA ACTUALLY HAS A HIT OUT ON ME. 324 00:14:56,600 --> 00:14:57,640 [CHUCKLES DISMISSIVELY] 325 00:14:57,680 --> 00:14:58,880 A PAID-FOR HIT. 326 00:14:58,920 --> 00:14:59,840 [STOPS LAUGHING] 327 00:14:59,880 --> 00:15:01,120 YOU'RE SERIOUS? 328 00:15:01,160 --> 00:15:02,680 10,000 POUNDS. 329 00:15:02,720 --> 00:15:06,280 I DON'T EVEN KNOW WHERE HE GOT 10,000 POUNDS. 330 00:15:06,320 --> 00:15:07,600 BUT HE PUT IT UP 331 00:15:07,640 --> 00:15:10,120 WHEN I JOINED THE POLICE SERVICES. 332 00:15:10,160 --> 00:15:11,400 NOW I'M A TARGET 333 00:15:11,440 --> 00:15:13,120 FOR ANY TRAVELLER WHO MIGHT COME ACROSS ME. 334 00:15:13,160 --> 00:15:15,320 YOUR FAMILY WANTS YOU DEAD? 335 00:15:15,360 --> 00:15:16,720 VERY. 336 00:15:16,760 --> 00:15:18,520 WHY ARE YOU TELLING ME THIS? 337 00:15:18,560 --> 00:15:19,600 BECAUSE, 338 00:15:19,640 --> 00:15:22,520 IF WE'RE TO BE... 339 00:15:22,560 --> 00:15:24,520 GONNA BE PARTNERED, 340 00:15:24,560 --> 00:15:26,800 THEN... [TAKES A BREATH] 341 00:15:26,840 --> 00:15:29,120 YOU SHOULD KNOW WHAT YOU'RE DEALING WITH. 342 00:15:29,160 --> 00:15:31,240 I GUESS I'M JUST SAYING 343 00:15:31,280 --> 00:15:34,600 THAT, YOU KNOW, HAVING A GREAT, BIG FAMILY'S... 344 00:15:34,640 --> 00:15:35,840 [SIGHS WEARILY] 345 00:15:35,880 --> 00:15:38,240 ...NOT ALWAYS SUCH A GOOD THING. 346 00:15:38,280 --> 00:15:40,560 [CHUCKLES SOFTLY] 347 00:15:40,600 --> 00:15:44,720 [♪♪♪] 348 00:15:44,760 --> 00:15:46,920 HERE'S OUR GUY. 349 00:15:53,080 --> 00:15:55,920 [♪♪♪] 350 00:16:10,600 --> 00:16:11,560 GO AHEAD. 351 00:16:11,600 --> 00:16:12,880 I NEED A MINUTE. 352 00:16:12,920 --> 00:16:14,440 NO TROUBLE. TAKE YOUR TIME. 353 00:16:14,480 --> 00:16:17,000 [ROARS]: ANNE-MARIE! ANNE-MARIE! 354 00:16:17,040 --> 00:16:19,480 [♪♪♪] 355 00:16:19,520 --> 00:16:21,720 [PACKETS CRACKLING] 356 00:16:22,800 --> 00:16:25,400 [♪♪♪] 357 00:16:25,440 --> 00:16:26,440 I CAN'T BELIEVE HOW MANY MEN 358 00:16:26,480 --> 00:16:27,720 BUY SHOES FROM THIS STORE. 359 00:16:27,760 --> 00:16:30,320 BUT NONE OF THEM IS WHO WE'RE LOOKING FOR. 360 00:16:30,360 --> 00:16:33,040 SIENNA'S RIGHT. IT'S A VERY OLD STYLE. 361 00:16:33,080 --> 00:16:35,280 THE LAST PAIR SOLD IN EUROPE 362 00:16:35,320 --> 00:16:37,760 WAS FIVE YEARS AGO TO A SPANISH WOMAN. 363 00:16:37,800 --> 00:16:40,560 I MADE SOME PHONE CALLS TO MADRID. 364 00:16:40,600 --> 00:16:42,160 ARE YOU OKAY? 365 00:16:44,800 --> 00:16:46,360 HE WAS OUT THERE IN THE PARK, THE KILLER. 366 00:16:47,880 --> 00:16:48,840 YEAH. 367 00:16:48,880 --> 00:16:50,160 IF MY MACHINE WERE BETTER, 368 00:16:50,200 --> 00:16:52,640 WE WOULD KNOW WHO HE IS BY NOW. 369 00:16:54,520 --> 00:16:55,560 IT'S NOT YOUR FAULT, SEBASTIAN. 370 00:16:55,600 --> 00:16:57,320 NO, IT'S TRUE. 371 00:16:57,360 --> 00:16:59,840 I NEED TO FIND A WAY TO INCREASE THE SCAN AREA, 372 00:16:59,880 --> 00:17:00,920 TO ANTICIPATE WHAT'S OUTSIDE THE PERIMETER, 373 00:17:00,960 --> 00:17:01,920 AS WELL WHAT'S INSIDE. 374 00:17:01,960 --> 00:17:03,000 WELL, THEN DO IT. 375 00:17:03,040 --> 00:17:05,680 MAKE IT BETTER FOR THE NEXT TIME. 376 00:17:05,720 --> 00:17:07,920 JUST DON'T BLAME YOURSELF FOR ANNE-MARIE, OKAY? 377 00:17:11,440 --> 00:17:12,440 I'M GONNA TELL HICKMAN 378 00:17:12,480 --> 00:17:13,960 THE DATABASE IS COMING UP EMPTY. 379 00:17:27,480 --> 00:17:29,000 [PHONE RINGING] 380 00:17:32,760 --> 00:17:34,560 YEAH? 381 00:17:34,600 --> 00:17:37,800 UH-HUH. ALL RIGHT. 382 00:17:39,960 --> 00:17:41,440 THAT WAS SIENNA. 383 00:17:41,480 --> 00:17:43,080 SOMETHING? 384 00:17:43,120 --> 00:17:44,760 SHE'S BRINGING IN ANTOINE LAFFONT. 385 00:17:44,800 --> 00:17:47,080 HE WAS THE UNIFORMED GUARD AT THE CRIME SCENE. 386 00:17:47,120 --> 00:17:48,840 WHAT ABOUT YOU? YOUR SOURCE? 387 00:17:48,880 --> 00:17:50,040 ANYTHING? 388 00:17:50,080 --> 00:17:52,480 NO. NOT FOR THIS. 389 00:17:54,120 --> 00:17:55,880 [SIGHS] 390 00:17:55,920 --> 00:17:57,440 WHAT IS HE DOING WITH HER? 391 00:17:57,480 --> 00:17:58,920 "DOING?" 392 00:17:58,960 --> 00:18:00,280 WHAT SHOULD WE BE HOPING FOR? 393 00:18:00,320 --> 00:18:02,200 SHE'S ALIVE AND, UH... 394 00:18:02,240 --> 00:18:03,280 BEING TORTURED, 395 00:18:03,320 --> 00:18:04,480 OR... 396 00:18:04,520 --> 00:18:05,760 DEAD 397 00:18:05,800 --> 00:18:07,560 AND NOT SUFFERING ANYMORE? 398 00:18:10,320 --> 00:18:13,160 IF SHE'S ALIVE, WE CAN GET TO HER. 399 00:18:22,000 --> 00:18:24,080 [♪♪♪] 400 00:18:44,480 --> 00:18:45,680 THANKS. 401 00:18:45,720 --> 00:18:48,120 WE'LL LET YOU KNOW AS SOON AS WE KNOW MORE. 402 00:18:48,160 --> 00:18:49,440 -IT'S NOT HER. -THANK GOD. 403 00:18:49,480 --> 00:18:50,440 THE BODY IN THE WOODS-- 404 00:18:50,480 --> 00:18:51,440 IT'S AN OVERDOSE. 405 00:18:51,480 --> 00:18:52,560 A KNOWN LOCAL JUNKIE. 406 00:18:54,520 --> 00:18:55,840 WE STILL DON'T HAVE ANY IDEA WHERE SHE IS. 407 00:18:57,080 --> 00:18:58,520 LET'S GO BACK TO THE BEGINNING. 408 00:19:00,280 --> 00:19:01,680 I'VE BEEN LOOK AT THE CRIME SCENES. 409 00:19:01,720 --> 00:19:03,440 NOW, THEY AREN'T EXACT MATCHES, 410 00:19:03,480 --> 00:19:04,600 BUT LOOK AT THAT. 411 00:19:04,640 --> 00:19:07,320 ISN'T EVERYTHING JUST A BIT TOO SIMILAR? 412 00:19:07,360 --> 00:19:08,720 YOU MEAN STAGED? 413 00:19:08,760 --> 00:19:10,720 THE SITUATION IS... 414 00:19:10,760 --> 00:19:13,040 SIMILAR. 415 00:19:13,080 --> 00:19:14,360 CHASING THEM THROUGH THE WOODS 416 00:19:14,400 --> 00:19:16,120 IS PART OF HIS THING, RIGHT? 417 00:19:16,160 --> 00:19:17,800 THE SIMILARITIES COULD BE COINCIDENCE. 418 00:19:17,840 --> 00:19:19,480 I DON'T KNOW. IS IT MORE THAN THAT? 419 00:19:19,520 --> 00:19:20,600 WHAT ARE YOU THINKING? 420 00:19:20,640 --> 00:19:22,200 [WORDS CATCH, SIGHS] 421 00:19:22,240 --> 00:19:23,680 I'M THINKING HAT HE'S RECREATING SOMETHING. 422 00:19:23,720 --> 00:19:25,760 WE ALL SAID THAT WE THOUGHT HE WAS PUTTING ON A SHOW. 423 00:19:25,800 --> 00:19:27,360 IT'S NOT A SHOW. IT'S A RITUAL. 424 00:19:27,400 --> 00:19:28,720 HE DOESN'T HIDE THE BODIES. 425 00:19:28,760 --> 00:19:31,120 SO IF SHE'S NOT FOUND SOON, IT'S A GOOD THING? 426 00:19:31,160 --> 00:19:32,760 SHE PROBABLY SURVIVED THE NIGHT. 427 00:19:32,800 --> 00:19:34,880 WHICH MEANS HE COULD GET BACK ON SCRIPT, 428 00:19:34,920 --> 00:19:36,880 BACK ON RITUAL. 429 00:19:36,920 --> 00:19:39,400 WHICH MEANS HE WILL TAKE HER TO A CAPITAL CITY. 430 00:19:39,440 --> 00:19:40,840 GREAT. 431 00:19:40,880 --> 00:19:43,120 SO, BY TONIGHT, HE COULD BE ANYWHERE FROM, UH... 432 00:19:43,160 --> 00:19:44,880 OSLO TO ATHENS. 433 00:19:44,920 --> 00:19:47,240 ALL RIGHT. LET ME ARRANGE SOMETHING. 434 00:19:48,520 --> 00:19:51,320 [♪♪♪] 435 00:19:51,360 --> 00:19:53,240 [TOMMY]: THANK YOU. HAVE A SEAT DOWN HERE. 436 00:19:54,080 --> 00:19:55,840 HE'S BEEN AT HEADQUARTERS ALL NIGHT, 437 00:19:55,880 --> 00:19:57,920 ANSWERING THEIR QUESTIONS. 438 00:20:01,240 --> 00:20:03,280 HE SPOKE TO A LOT OF PEOPLE, 439 00:20:03,320 --> 00:20:05,160 BUT CAN'T REMEMBER ANY OF THEM. 440 00:20:05,200 --> 00:20:06,400 NO ONE? 441 00:20:06,440 --> 00:20:09,200 HE SAYS NONE OF THEM STAND OUT. 442 00:20:09,240 --> 00:20:10,640 HE'S SCARED. 443 00:20:10,680 --> 00:20:11,640 SCARED? 444 00:20:11,680 --> 00:20:13,400 LOOK AT HIM. 445 00:20:13,440 --> 00:20:14,840 THE WAY HIS EYES DART 446 00:20:14,880 --> 00:20:16,160 AND HIS EYEBROWS ARE RAISED, 447 00:20:16,200 --> 00:20:17,760 HIS MOUTH, THE CORNERS ARE PULLED BACK. 448 00:20:17,800 --> 00:20:19,560 YOU SEE ALL THAT? 449 00:20:19,600 --> 00:20:21,160 THE WAY HE LICK HIS LIPS? 450 00:20:21,200 --> 00:20:22,640 RUBS HIS PALMS ON HIS PANTS? 451 00:20:22,680 --> 00:20:23,800 HE'S AFRAID. 452 00:20:23,840 --> 00:20:25,400 YOU MEAN LIKE IN "SUSPECT" AFRAID? 453 00:20:25,440 --> 00:20:27,200 NO. 454 00:20:27,240 --> 00:20:29,400 LAVEAUX BULLIES ALL HIS OFFICERS. 455 00:20:29,440 --> 00:20:31,440 THERE HAS TO BE A WAY TO GET HIM PAST THAT 456 00:20:31,480 --> 00:20:32,800 AND REMEMBER. 457 00:20:32,840 --> 00:20:34,280 I COULD TRY SOMETHING. 458 00:20:34,320 --> 00:20:36,440 DO YOU WANT TO TRY A C.I.? 459 00:20:36,480 --> 00:20:38,400 A COGNITIVE INTERVIEW. 460 00:20:38,440 --> 00:20:40,200 I'VE USED IT ON CRIME VICTIMS. 461 00:20:40,240 --> 00:20:42,720 IT CAN BE EFFECTIVE. 462 00:20:42,760 --> 00:20:44,200 [DOOR OPENING] 463 00:20:44,240 --> 00:20:45,920 WOULD YOU LIKE TO SIT? 464 00:20:45,960 --> 00:20:47,440 I'M SORRY. 465 00:20:47,480 --> 00:20:48,760 I-I'VE TRIED. 466 00:20:48,800 --> 00:20:52,400 I CAN'T REMEMBER ANY SPECIFIC DETAILS. 467 00:20:52,440 --> 00:20:54,440 [SIENNA]: NOBODY THINKS YOU HAVEN'T TRIED. 468 00:20:54,480 --> 00:20:55,760 NOBODY THINKS 469 00:20:55,800 --> 00:20:56,960 THAT YOU HAVEN'T TOLD US 470 00:20:57,000 --> 00:20:58,840 EVERYTHING THAT YOU CONSCIOUSLY KNOW. 471 00:20:58,880 --> 00:21:01,000 PLEASE... SIT. 472 00:21:05,400 --> 00:21:07,240 YOU SAID "CONSCIOUSLY"? 473 00:21:07,280 --> 00:21:10,360 WELL, SOMETIMES, 474 00:21:10,400 --> 00:21:11,640 ATTEMPTING TO RETRIEVE A MEMORY 475 00:21:11,680 --> 00:21:12,920 IS ALMOST IMPOSSIBLE 476 00:21:12,960 --> 00:21:15,400 IN THE TRADITIONAL WAY. 477 00:21:15,440 --> 00:21:17,880 IT COULD BE BECAUSE OF TRAUMA, 478 00:21:17,920 --> 00:21:19,360 IT COULD BE BECAUSE OF FEAR, 479 00:21:19,400 --> 00:21:22,040 OR IT COULD BE 480 00:21:22,080 --> 00:21:24,680 BECAUSE WE'RE UNDER SO MUCH PRESSURE TO GET IT RIGHT 481 00:21:24,720 --> 00:21:26,680 THAT WE FREEZE UP. 482 00:21:26,720 --> 00:21:28,360 BUT I'VE TOLD YOU EVERYTHING. 483 00:21:28,400 --> 00:21:29,280 NOT EVERYTHING. 484 00:21:29,320 --> 00:21:30,360 YES. 485 00:21:30,400 --> 00:21:31,440 YOU HAVEN'T TOLD ME IF IT WAS WARM. 486 00:21:31,480 --> 00:21:33,600 EXCUSE ME? 487 00:21:33,640 --> 00:21:35,040 WAS IT WARM? 488 00:21:35,080 --> 00:21:36,360 HOW IS IT RELATED TO--? 489 00:21:36,400 --> 00:21:38,800 JUST... 490 00:21:38,840 --> 00:21:40,120 TELL ME. 491 00:21:40,160 --> 00:21:41,640 [TAKES A BREATH, SIGHS] 492 00:21:41,680 --> 00:21:43,920 I THINK IT WAS AROUND 24 OR 25. 493 00:21:43,960 --> 00:21:45,400 NO, NO, NO. 494 00:21:45,440 --> 00:21:47,400 WERE YOU WARM? 495 00:21:47,440 --> 00:21:51,440 DON'T GIVE ME THE FACT, GIVE ME THE FEELING. 496 00:21:51,480 --> 00:21:53,680 YES, I WAS WARM. 497 00:21:53,720 --> 00:21:56,720 [VOICE DRIFTING]: MOST OF THE DAY... 498 00:21:56,760 --> 00:21:58,400 IT WAS COOLER 499 00:21:58,440 --> 00:22:00,880 WHEN THE SUN WENT BEHIND THE CLOUDS. 500 00:22:00,920 --> 00:22:03,320 GOOD. 501 00:22:03,360 --> 00:22:06,280 NOW WHAT DO YOU SMELL? 502 00:22:07,440 --> 00:22:08,800 LEAVES. 503 00:22:08,840 --> 00:22:11,360 DAMP LEAVES. 504 00:22:11,400 --> 00:22:13,840 AND THEY CUT THE GRASS YESTERDAY. 505 00:22:15,280 --> 00:22:17,960 [SIENNA]: NOW, WHAT DO YOU HEAR? 506 00:22:20,320 --> 00:22:21,360 ANTOINE? 507 00:22:21,400 --> 00:22:24,280 WHAT DO YOU HEAR? 508 00:22:24,320 --> 00:22:26,080 IT'S WHAT I DON'T HEAR. 509 00:22:26,120 --> 00:22:28,080 I'M SORRY? 510 00:22:28,120 --> 00:22:30,560 THERE SHOULD BE CHILDREN IN A PARK. 511 00:22:30,600 --> 00:22:32,480 AND THERE'RE NO CHILDREN? 512 00:22:32,520 --> 00:22:34,080 NO. 513 00:22:34,120 --> 00:22:37,320 THEY CAN'T PLAY BECAUSE OF THE CRIME SCENE. 514 00:22:37,360 --> 00:22:39,640 I HEAR THE PEOPLE COMPLAINING. 515 00:22:39,680 --> 00:22:42,560 PEOPLE WANT THEIR PARK BACK. 516 00:22:42,600 --> 00:22:44,840 AND HOW DOES THAT MAKE YOU FEEL? 517 00:22:44,880 --> 00:22:46,880 I WISH THEY COULD HAVE THEIR PICNICS, 518 00:22:46,920 --> 00:22:49,760 AND PLAY IN THE PLAYGROUNDS AND WALK THEIR-- 519 00:22:49,800 --> 00:22:50,800 [♪♪♪] 520 00:22:50,840 --> 00:22:52,600 WHAT IS IT? 521 00:22:52,640 --> 00:22:54,600 [♪♪♪] 522 00:22:54,640 --> 00:22:55,920 THERE WAS A MAN... 523 00:22:55,960 --> 00:22:57,320 HE HAD A DOG. 524 00:22:57,360 --> 00:22:58,800 THE DOG! 525 00:22:58,840 --> 00:23:00,080 THE DOG? 526 00:23:00,120 --> 00:23:02,240 THE DOG THAT WAS DEAD LATER IN THE PARK. 527 00:23:02,280 --> 00:23:04,200 HE KILLED IT! 528 00:23:04,240 --> 00:23:06,640 WHAT DO WE KNOW ABOUT THIS DOG? 529 00:23:06,680 --> 00:23:08,040 THERE WAS A DEAD DOG. 530 00:23:08,080 --> 00:23:09,880 WE DIDN'T KNOW THAT SOMEONE KILLED HIM. 531 00:23:09,920 --> 00:23:13,520 [LOUIS]: EVA, SEBASTIAN, DETAILS. 532 00:23:13,560 --> 00:23:16,000 THIS MAN... 533 00:23:16,040 --> 00:23:17,640 CAN YOU DESCRIBE HIM? 534 00:23:20,440 --> 00:23:22,680 [♪♪♪] 535 00:23:22,720 --> 00:23:25,800 ONLY THAT HE WAS VERY SHORT. 536 00:23:27,040 --> 00:23:28,200 SHE'S GOOD. 537 00:23:28,240 --> 00:23:29,960 YEAH. YOU ALL ARE. 538 00:23:31,040 --> 00:23:32,560 IF ANNE-MARIE WERE DEAD... 539 00:23:34,520 --> 00:23:36,760 ...SHE WOULD HAVE BEEN FOUND BY NOW. 540 00:23:36,800 --> 00:23:38,400 WHAT DOES IT MEAN FOR HER? 541 00:23:38,440 --> 00:23:40,440 [♪♪♪] 542 00:23:42,160 --> 00:23:44,560 IF HE HAS SOMEWHERE TO GO... 543 00:23:44,600 --> 00:23:47,000 TO BE ALONE WITH HER... 544 00:23:48,280 --> 00:23:50,920 TO HAVE TIME TO GET HIS RITUAL BACK... 545 00:23:52,240 --> 00:23:54,640 [♪♪♪] 546 00:23:54,680 --> 00:23:57,760 ...THEN WHO AND... 547 00:23:57,800 --> 00:24:00,800 WHAT SHE IS WILL MEAN LESS AND LESS. 548 00:24:00,840 --> 00:24:03,920 SHE'LL JUST BECOME ANOTHER OF HIS FANTASIES... 549 00:24:03,960 --> 00:24:06,200 [♪♪♪] 550 00:24:06,240 --> 00:24:08,240 UNTIL TONIGHT. 551 00:24:11,680 --> 00:24:13,000 THANK YOU. THANK YOU. 552 00:24:13,040 --> 00:24:14,840 PARIS ANIMAL CONTROL COLLECTED THE DOG CORPSE. 553 00:24:14,880 --> 00:24:16,840 IT HAD A MICROCHIP IN IT, 554 00:24:16,880 --> 00:24:18,400 REGISTERED TO A LOCAL ANIMAL SHELTER. 555 00:24:18,440 --> 00:24:20,320 EVA AND SEBASTIAN ARE HEADED THERE NOW. 556 00:24:20,360 --> 00:24:22,000 ANTOINE'S DESCRIPTION'S AT ALL THE CHECKPOINTS NOW, 557 00:24:22,040 --> 00:24:23,480 BUT I DON'T HOLD OUT MUCH HOPE. 558 00:24:23,520 --> 00:24:25,800 THE DISTINCTIVE PART OF THE DESCRIPTION IS HIS HEIGHT 559 00:24:25,840 --> 00:24:27,600 AND HE'S GONNA BE IN A CAR, SITTING DOWN. 560 00:24:27,640 --> 00:24:29,280 THE MET CAME THROUGH. 561 00:24:29,320 --> 00:24:30,720 THEY IDENTIFIED HER? 562 00:24:30,760 --> 00:24:32,240 [SIENNA]: THE GIRL FOUND IN PARIS 563 00:24:32,280 --> 00:24:33,760 APPEARS TO BE A MISSING FROM SOUTHEAST LONDON, 564 00:24:33,800 --> 00:24:34,960 NAMED SASHA QUINN. 565 00:24:35,000 --> 00:24:36,240 SAME HEIGHT, SAME HAIR COLOUR, 566 00:24:36,280 --> 00:24:38,040 AND SHE WAS REPORTED 567 00:24:38,080 --> 00:24:40,080 THE VERY NIGHT THE PARIS BODY WAS FOUND. 568 00:24:40,120 --> 00:24:42,360 GETTING DNA INFORMATION FROM HER PARENTS, 569 00:24:42,400 --> 00:24:44,280 BUT THEY HAVE TO BE SENSITIVE, 570 00:24:44,320 --> 00:24:45,760 BECAUSE, IT SEEMS, SHE WAS AN ESCORT. 571 00:24:45,800 --> 00:24:47,480 TRY THE AGENCY. 572 00:24:47,520 --> 00:24:49,320 THEY KEEP INFORMATION ON THEIR CLIENTS. 573 00:24:49,360 --> 00:24:51,920 I'M THINKING-- HER BEING AN ESCORT 574 00:24:51,960 --> 00:24:53,480 MAKES THE CHOICE OF SHOE EVEN MORE PECULIAR. 575 00:24:53,520 --> 00:24:55,120 WHAT DO YOU MEAN? 576 00:24:55,160 --> 00:24:58,080 IT'S HEAVY. THE HEEL IS SHORT, IT'S VINTAGE, UNFLATTERING. 577 00:24:58,120 --> 00:24:59,240 NOT SEXY ENOUGH? 578 00:24:59,280 --> 00:25:00,680 NO, I WOULDN'T THINK SO. 579 00:25:00,720 --> 00:25:02,600 [MUTTERS TO SELF]: IF YOU DON'T WANT THEM SEXY... 580 00:25:04,440 --> 00:25:06,640 ARE YOU DRESSING THEM COMPLETELY? 581 00:25:07,680 --> 00:25:11,120 [♪♪♪] 582 00:25:16,680 --> 00:25:18,840 [GASPS GROGGILY] 583 00:25:18,880 --> 00:25:21,440 WHERE ARE WE? 584 00:25:21,480 --> 00:25:23,000 IN A LOVELY APARTMENT 585 00:25:23,040 --> 00:25:26,400 THE DIPLOMATIC CORPS KEEPS FOR ADVANCED WORKERS. 586 00:25:26,440 --> 00:25:27,960 DIPLOMATIC? 587 00:25:28,000 --> 00:25:29,560 IT'S VERY COZY... 588 00:25:30,760 --> 00:25:33,000 IT'S VERY PRIVATE. 589 00:25:33,040 --> 00:25:34,880 DISCREET. 590 00:25:34,920 --> 00:25:36,680 [♪♪♪] 591 00:25:40,720 --> 00:25:42,640 I'M AN OFFICER OF THE FRENCH NATIONAL POLICE. 592 00:25:42,680 --> 00:25:44,000 IF YOU LET ME GO, I... 593 00:25:44,040 --> 00:25:46,000 I WILL SPEAK TO THE MAGISTRATE 594 00:25:46,040 --> 00:25:47,680 AND I WILL TELL HIM YOU WERE VERY COMPASSIONATE. 595 00:25:47,720 --> 00:25:50,600 YOU KNOW, I NORMALLY LET YOU DO THIS YOURSELF, 596 00:25:50,640 --> 00:25:52,080 BUT THIS IS ALL VERY DIFFERENT, ISN'T IT? 597 00:25:52,120 --> 00:25:54,400 THERE'S STILL A CHANCE FOR YOU! 598 00:25:54,440 --> 00:25:56,640 COMPLETELY DIFFERENT. 599 00:25:56,680 --> 00:25:58,000 I DON'T MEAN ANYTHING UNTOWARD, 600 00:25:58,040 --> 00:25:59,360 BUT... 601 00:25:59,400 --> 00:26:00,800 BUT IT'S TIME. 602 00:26:00,840 --> 00:26:03,720 [SHAKILY]: TIME? 603 00:26:03,760 --> 00:26:06,040 TIME TO CHANGE. 604 00:26:06,080 --> 00:26:08,960 OKAY. SO WE HAVE A NAME AND WE MAY HAVE A PICTURE. 605 00:26:09,000 --> 00:26:12,920 THE DOG WAS ADOPTED YESTERDAY BY A MAN CALLED "JOHN SMITH." 606 00:26:12,960 --> 00:26:15,200 IT'S ABOUT AS ANONYMOUS A NAME AS YOU COULD USE... 607 00:26:15,240 --> 00:26:16,680 -BUT IN AMERICA. -YEAH, BRITAIN, TOO. 608 00:26:16,720 --> 00:26:18,960 YEAH, BUT THEY HAVE CCTV CAMERAS HERE. 609 00:26:19,000 --> 00:26:20,560 SEBASTIAN IS GOING THROUGH IMAGES 610 00:26:20,600 --> 00:26:21,760 RIGHT NOW. 611 00:26:21,800 --> 00:26:23,240 I THINK I'VE GOT HIM! 612 00:26:23,280 --> 00:26:24,520 DO YOU HAVE HIM? 613 00:26:24,560 --> 00:26:27,480 [♪♪♪] 614 00:26:31,600 --> 00:26:33,440 SENDING NOW. 615 00:26:38,880 --> 00:26:40,120 GOT YOU. 616 00:26:40,160 --> 00:26:41,680 GET THAT FACE TO EVERY COP IN EUROPE. 617 00:26:41,720 --> 00:26:43,200 I WANT IT ON P.D.A.S, 618 00:26:43,240 --> 00:26:45,680 CELL PHONES, ANY DEVICE ANYONE MIGHT HAVE. 619 00:26:45,720 --> 00:26:47,960 I WANT TO KNOW WHO HE IS. 620 00:26:48,000 --> 00:26:51,040 [♪♪♪] 621 00:26:51,080 --> 00:26:54,120 [ANNE-MARIE GRUNTING AND STRUGGLING] 622 00:26:55,680 --> 00:26:58,720 I DIDN'T WANT TO DO IT THIS WAY, BUT... 623 00:26:58,760 --> 00:27:00,440 [♪♪♪] 624 00:27:00,480 --> 00:27:02,120 NO! 625 00:27:02,160 --> 00:27:03,240 THERE'S STILL A CHANCE-- THERE'S STILL A CHANCE TO DO IT RIGHT! 626 00:27:03,280 --> 00:27:04,640 I REALLY WISH YOU'D COOPERATED. 627 00:27:04,680 --> 00:27:07,000 NO, NO, NO, NO, NO! 628 00:27:07,040 --> 00:27:08,640 [HER CRIES MUFFLE] 629 00:27:08,680 --> 00:27:10,880 [♪♪♪] 630 00:27:15,440 --> 00:27:19,000 AND THE ESCORT AGENCY SAYS SASHA'S LAST CLIENT WAS A MAN 631 00:27:19,040 --> 00:27:20,000 NAMED... 632 00:27:20,040 --> 00:27:21,680 JOHN SMITH. SO HE'S BRITISH? 633 00:27:21,720 --> 00:27:23,520 WELL, NOT NECESSARILY. THEY ALSO SAID 634 00:27:23,560 --> 00:27:26,240 THAT SHE ONLY HANDLED INTERNATIONAL CLIENTS. 635 00:27:26,280 --> 00:27:28,480 SO WE KNOW JOHN SMITH IS AN ALIAS 636 00:27:28,520 --> 00:27:30,400 ONLY USED BY BRITS OR AMERICANS. 637 00:27:30,440 --> 00:27:31,960 I JUST HUNG UP WITH INTERPOL. 638 00:27:32,000 --> 00:27:33,400 TELL ME YOU HAVE HIS NAME? 639 00:27:33,440 --> 00:27:36,520 AND IT'S BEEN VERIFIED THROUGH ANOTHER AGENCY. 640 00:27:36,560 --> 00:27:38,400 -WHICH AGENCY? -THE STATE DEPARTMENT. 641 00:27:38,440 --> 00:27:39,840 HIS NAME IS GERALD WILHOIT. 642 00:27:39,880 --> 00:27:42,760 HE'S A TRAVELLING ADVANCE SECRETARY 643 00:27:42,800 --> 00:27:45,040 FROM THE U.S. DIPLOMATIC CORPS. 644 00:27:45,080 --> 00:27:46,880 THAT'S HOW HE GOT AROUND SO EASILY. 645 00:27:46,920 --> 00:27:48,080 AND WHY NOBODY STOPPED HIM AT ANY CHECKPOINT. 646 00:27:48,120 --> 00:27:49,760 HE'S AN AMERICAN? 647 00:27:49,800 --> 00:27:51,160 WITH DIPLOMATIC IMMUNITY. 648 00:27:51,200 --> 00:27:53,360 WE HAVE A HIT ON THE PHOTO! HIGHWAY PATROL. 649 00:27:53,400 --> 00:27:55,800 GENDARME PULLED OVER TO ASSIST A MOTORIST 650 00:27:55,840 --> 00:27:57,960 WITH A FLAT TIRE IN THE MIDDLE OF THE NIGHT. 651 00:27:58,000 --> 00:28:00,040 HE SAYS HE'S SURE FROM THE PHOTO IT'S OUR GUY. 652 00:28:00,080 --> 00:28:01,440 WHERE? 653 00:28:01,480 --> 00:28:03,720 E50, 25 KILOMETRES OUTSIDE METZ, 654 00:28:03,760 --> 00:28:05,200 HEADING EAST. 655 00:28:05,240 --> 00:28:07,400 -HE'S GOING TO GERMANY? -HE'S TAKEN HER TO BERLIN. 656 00:28:07,440 --> 00:28:08,880 I'LL CALL GERMAN POLIZEI. 657 00:28:08,920 --> 00:28:10,560 THERE'S NO WAY WE'LL GET TO BERLIN BEFORE NIGHTFALL. 658 00:28:10,600 --> 00:28:12,200 WE HAVE A LONG-RANGE HELICOPTER. 659 00:28:12,240 --> 00:28:13,400 A CHOPPER? 660 00:28:13,440 --> 00:28:15,200 YEAH. I SET IT UP ONE HOUR AGO. LET'S GO. 661 00:28:16,400 --> 00:28:18,840 -WE'LL TALK ABOUT THIS LATER. -YEAH. 662 00:28:20,320 --> 00:28:21,400 HEY. 663 00:28:21,440 --> 00:28:22,960 WHAT'S GOING ON WITH EVERYBODY? 664 00:28:23,000 --> 00:28:25,280 THE GUY'S AMERICAN. WITH IMMUNITY. 665 00:28:25,320 --> 00:28:26,680 AS IN, WE CAN'T ARREST HIM? 666 00:28:26,720 --> 00:28:28,680 LUCKY WE HAVE AN AMERICAN ON THE TEAM. 667 00:28:28,720 --> 00:28:29,720 YEAH, LUCKY. 668 00:28:29,760 --> 00:28:33,320 GOD. 669 00:28:43,240 --> 00:28:46,480 [♪♪♪] 670 00:29:03,720 --> 00:29:06,560 [♪♪♪] 671 00:29:19,680 --> 00:29:21,680 [SPEAKING GERMAN] 672 00:29:29,000 --> 00:29:30,040 YOU DON'T KEEP ONE IN THE PIPE? 673 00:29:30,080 --> 00:29:32,560 HAD THEM JAM TOO MUCH THAT WAY. 674 00:29:32,600 --> 00:29:35,320 I'LL TAKE MY CHANCES WITH A PIECE THAT'S READY TO GO. 675 00:29:35,360 --> 00:29:36,560 MM. 676 00:29:36,600 --> 00:29:38,600 WOULDN'T NEED TO, IF YOU WERE FAST. 677 00:29:45,680 --> 00:29:47,800 [♪♪♪] 678 00:29:47,840 --> 00:29:48,840 DO YOU EVEN HAVE A GUN? 679 00:29:48,880 --> 00:29:51,360 NEVER REALLY NEEDED ONE. 680 00:29:51,400 --> 00:29:52,360 BRITS. 681 00:29:52,400 --> 00:29:54,120 RIGHT. THAT'S WHAT I THOUGHT. 682 00:29:54,160 --> 00:29:55,520 ALL RIGHT. THANKS, JIMMY. 683 00:29:55,560 --> 00:29:56,920 GUT. DANKE. 684 00:29:56,960 --> 00:30:00,120 GSG9 IS GONNA MEET US WHEREVER WE SAY. 685 00:30:00,160 --> 00:30:01,280 GSG9? 686 00:30:01,320 --> 00:30:02,360 YOU SAY "SWAT." 687 00:30:02,400 --> 00:30:04,680 TELL ME ABOUT THE PARKS IN BERLIN. 688 00:30:04,720 --> 00:30:06,280 THERE ARE SEVERAL LARGE ONES. 689 00:30:06,320 --> 00:30:08,040 REMEMBER THE SCENE, REMEMBER THE BAD GUY. 690 00:30:08,080 --> 00:30:10,360 WE'RE LOOKING FOR A WOODED AREA. 691 00:30:10,400 --> 00:30:12,600 BUSY DURING THE DAY, BUT NOT AT ALL AT NIGHT. 692 00:30:12,640 --> 00:30:14,200 SOMEWHERE NEAR THE CENTRE OF THE CITY. 693 00:30:14,240 --> 00:30:16,600 TIERGARTEN'S THE RIGHT KIND OF PARK. 694 00:30:16,640 --> 00:30:20,200 BUT THERE'S ALSO VOLKSPARK FRIEDRICHSHAIN. 695 00:30:20,240 --> 00:30:21,880 SEBASTIAN, WE DON'T HAVE TIME TO BE WRONG. 696 00:30:21,920 --> 00:30:23,440 WHICH PARK IS IT? 697 00:30:23,480 --> 00:30:25,480 TIERGARTEN OR VOLKSPARK? WHICH ONE? 698 00:30:26,560 --> 00:30:30,200 [♪♪♪] 699 00:30:31,480 --> 00:30:32,840 TIERGARTEN. 700 00:30:32,880 --> 00:30:35,640 [♪♪♪] 701 00:30:38,080 --> 00:30:40,280 ALL RIGHT. BE CAUTIOUS WITH WILHOIT. 702 00:30:40,320 --> 00:30:41,880 HE'S NOT ONLY DANGEROUS, 703 00:30:41,920 --> 00:30:43,720 HE HAS DIPLOMATIC IMMUNITY. 704 00:30:43,760 --> 00:30:45,040 SO, IF YOU FIND HIM, 705 00:30:45,080 --> 00:30:47,400 MAKE SURE DETECTIVE HICKMAN GETS OVER THERE, 706 00:30:47,440 --> 00:30:48,640 UNLESS YOU WANT HIM 707 00:30:48,680 --> 00:30:51,800 TO HAVE GROUNDS FOR BEATING HIS ARREST. 708 00:30:51,840 --> 00:30:54,240 [♪♪♪] 709 00:30:55,960 --> 00:30:58,960 [♪♪♪] 710 00:31:09,880 --> 00:31:10,840 ALL RIGHT. YOU OKAY? 711 00:31:10,880 --> 00:31:12,400 RIGHT THERE. 712 00:31:12,440 --> 00:31:13,520 OKAY. 713 00:31:15,520 --> 00:31:16,800 STAY IN YOUR GRID. 714 00:31:16,840 --> 00:31:18,200 STAY IN CONTACT. 715 00:31:18,240 --> 00:31:19,880 BE READY ON MY SIGNAL. ALL RIGHT? 716 00:31:19,920 --> 00:31:23,240 WE MOVE OUT IN TWO MINUTES. 717 00:31:28,360 --> 00:31:30,200 DO YOU KNOW HOW TO USE THIS? 718 00:31:30,240 --> 00:31:31,960 I SAID I NEVER NEEDED ONE, 719 00:31:32,000 --> 00:31:33,440 NOT THAT I DIDN'T KNOW HOW. 720 00:31:35,760 --> 00:31:38,400 WHO'S PADMA? 721 00:31:38,440 --> 00:31:40,400 [♪♪♪] 722 00:31:40,440 --> 00:31:41,880 IT'S YOUR BIRTHDAY, RIGHT? 723 00:31:41,920 --> 00:31:44,520 SHE CALLED YOU FOR YOUR BIRTHDAY? 724 00:31:44,560 --> 00:31:47,520 SHE'S MY NANNY. 725 00:31:47,560 --> 00:31:50,080 SHE ALWAYS CALLS FOR MY BIRTHDAY. 726 00:31:50,120 --> 00:31:51,520 BUT YOUR PARENTS HAVEN'T. 727 00:31:52,560 --> 00:31:54,360 I'VE BEEN WITH YOU FOR THE LAST TWO DAYS. 728 00:31:54,400 --> 00:31:56,080 NO ONE ELSE CALLED. 729 00:31:56,120 --> 00:31:58,680 WELL, THEY'RE... VERY BUSY. 730 00:31:58,720 --> 00:32:00,600 THEY'RE IMPORTANT PEOPLE WITH IMPORTANT JOBS. 731 00:32:00,640 --> 00:32:02,720 -SIENNA. WE DON'T MAKE A BIG DEAL-- 732 00:32:02,760 --> 00:32:04,320 ...OF BIRTHDAYS IN MY FAMILY ANYWAY. 733 00:32:04,360 --> 00:32:05,320 SIENNA! 734 00:32:05,360 --> 00:32:06,960 ALL I'M SAYING IS, 735 00:32:07,000 --> 00:32:09,320 IT DOESN'T MATTER THAT THEY HAVEN'T CALLED. 736 00:32:09,360 --> 00:32:11,320 ALL OUR FAMILIES ARE MESSED UP. 737 00:32:11,360 --> 00:32:14,120 ALL I'M TRYING TO SAY IS... 738 00:32:15,480 --> 00:32:16,640 CHEERS. 739 00:32:16,680 --> 00:32:19,160 CHEERS, AND... 740 00:32:19,200 --> 00:32:21,680 HAPPY BIRTHDAY. 741 00:32:35,480 --> 00:32:38,040 REMEMBER WHAT I SAID OUTSIDE THE MORGUE? 742 00:32:38,080 --> 00:32:39,960 TAKE DEEPER BREATHS? 743 00:32:40,000 --> 00:32:41,840 [BOTH LAUGHING] 744 00:32:41,880 --> 00:32:45,240 I SAID, "WE'LL FINISH THIS... LATER." 745 00:32:45,280 --> 00:32:47,840 YES, MA'AM, INSPECTOR PRIDE. 746 00:32:47,880 --> 00:32:49,920 WE'LL FINISH THIS LATER. 747 00:32:51,840 --> 00:32:53,640 [♪♪♪] 748 00:32:53,680 --> 00:32:56,000 I TOLD YOU-- FAIRE L'AMOUR. 749 00:32:56,040 --> 00:32:58,760 [CALLS OUT]: COME ON! LET'S GO! 750 00:32:58,800 --> 00:33:01,400 [♪♪♪] 751 00:33:07,920 --> 00:33:11,080 [ANNE-MARIE WHIMPERS GROGGILY] 752 00:33:11,120 --> 00:33:13,120 DON'T MOVE, OR IT'LL BE TOO DEEP. 753 00:33:13,160 --> 00:33:15,200 [GASPS AND CRIES OUT] 754 00:33:15,240 --> 00:33:18,880 [ANNE-MARIE SOBS] 755 00:33:19,840 --> 00:33:21,920 IT'S ALL OVER, IT'S DONE. 756 00:33:21,960 --> 00:33:23,880 WHAT... WHAT'S DONE? 757 00:33:23,920 --> 00:33:24,920 YOU'RE DYING. 758 00:33:24,960 --> 00:33:25,960 [SOBS]: NO! 759 00:33:26,000 --> 00:33:28,080 [WEEPS, THEN YELPS] 760 00:33:30,080 --> 00:33:32,680 YOU HAVE ONE CHANCE. 761 00:33:33,880 --> 00:33:35,280 RUN. 762 00:33:37,040 --> 00:33:39,560 [♪♪♪] 763 00:33:43,120 --> 00:33:44,800 [♪♪♪] 764 00:33:44,840 --> 00:33:46,800 [OFFICER]: ANNE-MARIE! 765 00:33:46,840 --> 00:33:49,880 ANNE-MARIE! 766 00:33:49,920 --> 00:33:51,480 [BARKS]: RUN! 767 00:33:51,520 --> 00:33:53,840 [WHIMPERS] 768 00:33:53,880 --> 00:33:55,400 SON OF A BITCH HUNTED HER. 769 00:33:55,440 --> 00:33:57,240 RUN! 770 00:33:57,280 --> 00:34:00,120 [STEADYING HER BREATH] 771 00:34:00,160 --> 00:34:02,320 SHE WAS DEAD THE MOMENT SHE SHOWED HIM FEAR. 772 00:34:02,360 --> 00:34:05,480 [STARTS CONTROLLING HER BREATH] 773 00:34:11,840 --> 00:34:13,160 NO. 774 00:34:13,200 --> 00:34:15,280 WHAT DID YOU SAY? 775 00:34:15,320 --> 00:34:17,520 I SAID RUN! 776 00:34:17,560 --> 00:34:18,720 NO. 777 00:34:18,760 --> 00:34:20,040 I WILL KILL YOU 778 00:34:20,080 --> 00:34:21,640 RIGHT HERE! 779 00:34:21,680 --> 00:34:24,120 I'M NOT AFRAID OF YOU. 780 00:34:24,160 --> 00:34:26,000 -[ROARS]: RUN! -[LOUDER]: NO! 781 00:34:26,040 --> 00:34:26,880 [SMACK] 782 00:34:26,920 --> 00:34:28,520 AH! 783 00:34:28,560 --> 00:34:29,400 [SOBS] 784 00:34:29,440 --> 00:34:31,200 RUN, YOU BITCH! 785 00:34:31,240 --> 00:34:34,840 [GROANING WEAKLY] 786 00:34:34,880 --> 00:34:37,280 [TAKES A STEADYING BREATH] 787 00:34:38,320 --> 00:34:39,920 NO. 788 00:34:39,960 --> 00:34:41,680 I AM IN CHARGE HERE! 789 00:34:41,720 --> 00:34:45,160 WHO AM I SUPPOSED TO BE, GERALD? HUH? 790 00:34:45,200 --> 00:34:47,920 WHO DID YOU THINK YOU WERE TALKING TO, 791 00:34:47,960 --> 00:34:50,000 WHEN YOU WERE ALONE IN THE FRONT SEAT, GERALD? 792 00:34:52,280 --> 00:34:53,440 RUN! 793 00:34:55,640 --> 00:34:58,960 HE SEEMS TO HAVE SOME SORT OF RITUAL THAT PLAYS OUT... 794 00:34:59,000 --> 00:34:59,840 BEFORE THE MURDER. 795 00:34:59,880 --> 00:35:02,600 NO! IT'S ALL A FANTASY-- 796 00:35:02,640 --> 00:35:04,960 THE PARK, THE-- THE HUNTING! 797 00:35:05,000 --> 00:35:07,080 HE DIDN'T JUST CONCEAL THEIR IDENTITIES, 798 00:35:07,120 --> 00:35:09,400 HE... HE ERASED THEM. 799 00:35:09,440 --> 00:35:12,720 YOU DRESSED ME UP! WHO AM I? WHO AM I SUPPOSED TO BE? 800 00:35:12,760 --> 00:35:14,600 -RUN! NO! 801 00:35:14,640 --> 00:35:16,080 -[VOICE BREAKING]: RUN! -NO! 802 00:35:16,120 --> 00:35:18,040 -NO! -YOU BITCH. 803 00:35:18,080 --> 00:35:19,360 YOU DO WHAT I SAY. YES! 804 00:35:19,400 --> 00:35:23,640 YOU DO IT, AND YOU DO IT NOW! OKAY? RUN! 805 00:35:25,040 --> 00:35:28,080 IT'S ODD, IT'S ACTUALLY A VERY OLD STYLE. 806 00:35:28,120 --> 00:35:30,880 GERALD. GERALD, PLEASE. 807 00:35:30,920 --> 00:35:31,920 IS IT YOUR MOTHER? 808 00:35:31,960 --> 00:35:34,400 IS IT YOUR MOTHER? 809 00:35:34,440 --> 00:35:36,840 THE OLDER SHOES, THE OLDER DRESS? 810 00:35:36,880 --> 00:35:38,960 I'M NOT YOUR MOTHER! 811 00:35:39,000 --> 00:35:41,680 I'M A DETECTIVE IN THE FRENCH NATIONAL POLICE. 812 00:35:41,720 --> 00:35:44,640 YOU'VE TAKEN A POLICE OFFICER. 813 00:35:44,680 --> 00:35:46,320 [CARL]: ANNE-MARIE! 814 00:35:48,120 --> 00:35:49,840 GERALD, THEY KNOW WHO YOU ARE. 815 00:35:49,880 --> 00:35:51,600 -WHO? -THE POLICE. 816 00:35:51,640 --> 00:35:53,120 ANNE-MARIE! 817 00:35:53,160 --> 00:35:54,680 [♪♪♪] 818 00:35:54,720 --> 00:35:56,080 I AM DETECTIVE SAN. 819 00:35:56,120 --> 00:35:57,400 YOU ARE SICK, 820 00:35:57,440 --> 00:35:59,280 AND I CAN HELP YOU, AND I CAN-- 821 00:35:59,320 --> 00:36:00,160 [ANNE-MARIE CRIES OUT] 822 00:36:00,200 --> 00:36:02,400 I AM NOT SICK! 823 00:36:02,440 --> 00:36:05,760 YOU FILTHY BITCH! 824 00:36:05,800 --> 00:36:06,680 GOD DAMMIT. 825 00:36:06,720 --> 00:36:07,560 [CARL'S]: ANNE-MARIE! 826 00:36:07,600 --> 00:36:10,040 OVER HERE! 827 00:36:11,400 --> 00:36:13,120 ANNE-MARIE! 828 00:36:13,160 --> 00:36:14,640 ARE YOU OKAY? 829 00:36:15,920 --> 00:36:18,400 -GET HER UP, GET HER UP! -SHE'S BLEEDING! 830 00:36:18,440 --> 00:36:21,080 -MEDIC! MEDIC! -OVER HERE! 831 00:36:21,120 --> 00:36:22,640 I WOULDN'T RUN. I WOULDN'T SHOW FEAR. 832 00:36:22,680 --> 00:36:24,680 YOU DID GOOD. YOU DID REALLY GOOD. 833 00:36:24,720 --> 00:36:25,680 YOU GOT HER? HOLD HER! 834 00:36:25,720 --> 00:36:28,440 COME ON, GET HER. GET HER. 835 00:36:28,480 --> 00:36:29,760 OVER HERE. 836 00:36:29,800 --> 00:36:32,040 GIVE ME YOUR GUN. 837 00:36:34,360 --> 00:36:35,880 GIVE ME YOUR GUN! 838 00:36:38,280 --> 00:36:39,240 HICKMAN. 839 00:36:39,280 --> 00:36:40,320 WHAT? 840 00:36:41,560 --> 00:36:42,880 DO YOU NEED THIS? 841 00:36:42,920 --> 00:36:44,920 NO... NO! 842 00:36:48,520 --> 00:36:51,240 [♪♪♪] 843 00:37:03,040 --> 00:37:05,960 [♪♪♪] 844 00:37:24,360 --> 00:37:26,480 [♪♪♪] 845 00:37:28,920 --> 00:37:30,680 CAREFUL WITH THAT LITTLE THING. 846 00:37:30,720 --> 00:37:32,360 IT MIGHT RAISE A NASTY BRUISE ON ME. 847 00:37:32,400 --> 00:37:34,120 IT'S YOUR GUN. 848 00:37:34,160 --> 00:37:35,600 YOU KIND OF LOOK CUTE WITH IT, THOUGH. 849 00:37:35,640 --> 00:37:36,960 [LAUGHS] 850 00:37:37,000 --> 00:37:38,960 [LOUIS]: TOMMY, COME IN. WE HAVE ANNE-MARIE. 851 00:37:39,000 --> 00:37:40,800 REPEAT. WE HAVE ANNE-MARIE. SHE'S SAFE. 852 00:37:40,840 --> 00:37:41,800 SHE'S ALIVE! 853 00:37:41,840 --> 00:37:43,240 [ROARS]: SIENNA! 854 00:37:43,280 --> 00:37:45,160 [♪♪♪] 855 00:37:47,160 --> 00:37:48,200 [SHOT RINGS OUT] 856 00:37:48,240 --> 00:37:50,680 SORRY. 857 00:37:50,720 --> 00:37:53,880 DIDN'T SEE HIM... I DIDN'T SEE HIM... 858 00:37:53,920 --> 00:37:58,440 OFFICER DOWN! OFFICER DOWN! HELP ME, NOW! 859 00:37:59,760 --> 00:38:03,800 ANNE-MARIE... 860 00:38:03,840 --> 00:38:04,960 SHE'S FINE, SHE'S FINE. 861 00:38:05,000 --> 00:38:06,720 SHE'S SAFE. SHE'S SAFE. 862 00:38:06,760 --> 00:38:09,600 [ROARING]: HELP ME! 863 00:38:11,160 --> 00:38:13,680 WE DID GOOD. WE DID GOOD. 864 00:38:13,720 --> 00:38:17,320 SHH, DON'T TALK NOW. JUST SHUSH. YOU'LL BE FINE. 865 00:38:20,040 --> 00:38:21,760 [WEAKLY]: TELL THEM... I DID GOOD? 866 00:38:21,800 --> 00:38:24,400 YOU DID SO GOOD. YOU DID AMAZING. 867 00:38:24,440 --> 00:38:26,360 NO, NO, NO, NO, NO! 868 00:38:26,400 --> 00:38:27,840 NO. WAIT, WAIT, WAIT! 869 00:38:27,880 --> 00:38:30,880 SIENNA! 870 00:38:30,920 --> 00:38:32,400 TOMMY! 871 00:38:32,440 --> 00:38:33,440 HE STABBED HER! HE CAME FROM NOWHERE. 872 00:38:33,480 --> 00:38:35,640 I COULDN'T DO ANYTHING! 873 00:38:35,680 --> 00:38:38,720 WHERE DID HE GO? 874 00:38:38,760 --> 00:38:40,320 TOMMY! WHERE DID HE GO? 875 00:38:40,360 --> 00:38:41,960 THAT WAY! HE WENT THAT WAY! 876 00:38:42,000 --> 00:38:44,280 -STAY HERE. -I'M GONNA KILL HIM! 877 00:38:44,320 --> 00:38:47,120 DO NOT LEAVE HER ALONE! 878 00:38:47,160 --> 00:38:49,520 [TOMMY SOBS] 879 00:38:49,560 --> 00:38:53,040 [♪♪♪] 880 00:38:53,080 --> 00:38:55,920 SIENNA... SIENNA! SIENNA? 881 00:38:55,960 --> 00:38:58,400 [♪♪♪] 882 00:39:04,880 --> 00:39:06,280 ANNE WILHOIT. 883 00:39:06,320 --> 00:39:09,240 FOUND 28 YEARS AGO IN CENTRAL PARK. 884 00:39:09,280 --> 00:39:10,440 SOMEONE CHASED HER 885 00:39:10,480 --> 00:39:11,760 AND STABBED HER OVER A HUNDRED TIMES. 886 00:39:11,800 --> 00:39:13,840 YOU DON'T KNOW ANYTHING ABOUT HER. 887 00:39:13,880 --> 00:39:15,480 THEY COULD NEVER PROVE IT WAS YOU. 888 00:39:15,520 --> 00:39:17,440 YOU WERE THE PRIME SUSPECT, THEY JUST COULDN'T CLOSE IT. 889 00:39:17,480 --> 00:39:18,760 WHY WOULD I KILL MY MOTHER? 890 00:39:18,800 --> 00:39:20,560 WHY DO GUYS LIKE YOU EVER KILL THEIR MOTHERS? 891 00:39:20,600 --> 00:39:22,320 SHE BELITTLED YOU 892 00:39:22,360 --> 00:39:23,840 AND MADE YOU CLEAN YOUR ROOM, DO YOUR HOMEWORK. 893 00:39:23,880 --> 00:39:24,880 WHO GIVES A SHIT? 894 00:39:24,920 --> 00:39:25,920 YOU'RE DONE NOW. 895 00:39:25,960 --> 00:39:27,320 DON'T MOVE YOUR HANDS. 896 00:39:27,360 --> 00:39:29,880 I'M A MEMBER OF THE UNITED STATES DIPLOMATIC CORPS. 897 00:39:29,920 --> 00:39:31,640 PUT YOUR HANDS ON TOP OF YOUR HEAD. 898 00:39:31,680 --> 00:39:33,360 I HAVE IMMUNITY! I DEMAND TO SEE-- 899 00:39:33,400 --> 00:39:35,040 -...THE AMBASSADOR! -HANDS ON TOP OF YOUR HEAD! 900 00:39:36,320 --> 00:39:38,360 [GUN MISFIRES, CARL'S GASPS] 901 00:39:40,480 --> 00:39:41,480 YOU DON'T KEEP ONE IN THE PIPE? 902 00:39:41,520 --> 00:39:43,600 THEY JAM TOO MUCH THAT WAY. 903 00:39:43,640 --> 00:39:44,920 [GASPING IN PANIC] 904 00:39:44,960 --> 00:39:47,280 [LAUGHS MOCKINGLY] 905 00:39:47,320 --> 00:39:50,160 I SAW YOU IN THE PARIS PARK! 906 00:39:50,200 --> 00:39:51,680 YOU'RE A CRIPPLE, AREN'T YOU? 907 00:39:53,000 --> 00:39:54,200 DAMN! 908 00:39:54,240 --> 00:39:57,120 SHE LIKED TO BE CALLED "ANNIE," NOT ANNE. 909 00:39:57,160 --> 00:39:59,480 I HATED THAT. 910 00:39:59,520 --> 00:40:02,200 WHAT KIND OF MOTHER CALLS HERSELF "ANNIE"? 911 00:40:02,240 --> 00:40:03,840 IT'S SO INAPPROPRIATE. 912 00:40:03,880 --> 00:40:05,360 SOMETIMES, 913 00:40:05,400 --> 00:40:07,800 EVEN KILLING SOMEONE DOESN'T SHUT THEM UP. 914 00:40:07,840 --> 00:40:10,720 YOU SAY HELLO TO HER FOR ME, WOULD YA? 915 00:40:10,760 --> 00:40:11,720 [SHOT RINGS OUT] 916 00:40:11,760 --> 00:40:13,560 [BODY THUDS] 917 00:40:14,920 --> 00:40:17,560 [♪♪♪] 918 00:40:22,760 --> 00:40:25,440 LET ME TAKE IT. 919 00:40:25,480 --> 00:40:26,880 [DISCHARGES A SHOT] 920 00:40:29,200 --> 00:40:30,920 I TOOK THE SHOT. 921 00:40:30,960 --> 00:40:33,080 I TOOK THE SHOT. 922 00:40:33,120 --> 00:40:35,920 [♪♪♪] 923 00:40:43,560 --> 00:40:47,040 ANNE-MARIE, WE'LL COME BY THE HOSPITAL 924 00:40:47,080 --> 00:40:48,480 WHEN WE FINISH HERE. 925 00:40:48,520 --> 00:40:49,560 THANK YOU, MAJOR. 926 00:40:49,600 --> 00:40:51,320 I'VE TOLD YOU BEFORE, 927 00:40:51,360 --> 00:40:53,280 CALL ME LOUIS. 928 00:40:53,320 --> 00:40:55,320 [GURNEY RATTLING] 929 00:40:58,560 --> 00:41:00,880 DID YOU KNOW HE WAS AN AMERICAN? 930 00:41:02,280 --> 00:41:04,800 IS THAT WHY YOU NEEDED ME? 931 00:41:04,840 --> 00:41:08,760 TO AVOID THE INTERNATIONAL INCIDENT? 932 00:41:08,800 --> 00:41:13,920 ONLY ONE PERSON IN THE WORLD COULD'VE FIGURED IT OUT. 933 00:41:17,080 --> 00:41:19,400 THANK YOU. 934 00:41:22,280 --> 00:41:24,680 HICKMAN? 935 00:41:27,360 --> 00:41:29,080 HICKMAN! 936 00:41:30,200 --> 00:41:32,880 WOULD YOU COME WITH ME? 937 00:41:34,600 --> 00:41:36,880 ABSOLUTELY. 938 00:41:40,960 --> 00:41:43,360 [♪♪♪] 939 00:41:47,760 --> 00:41:50,160 [AMBULANCE DOORS SLAM] 940 00:41:52,280 --> 00:41:54,760 [♪♪♪] 941 00:42:04,400 --> 00:42:07,000 [♪♪♪] 942 00:42:27,440 --> 00:42:29,880 [♪♪♪] 943 00:42:42,080 --> 00:42:45,000 [♪♪♪] 944 00:42:47,120 --> 00:42:48,600 [KNOCK AT DOOR] 945 00:42:50,960 --> 00:42:53,480 GEORGE SAID YOU WERE BACK. 946 00:42:53,520 --> 00:42:55,520 PLEASE. PLEASE. COME IN. 947 00:42:59,280 --> 00:43:01,640 SORRY ABOUT THE MESS. 948 00:43:01,680 --> 00:43:05,280 LISTEN. THE MAN YOU ASKED ME ABOUT? 949 00:43:05,320 --> 00:43:06,480 PHILLIP GENOVESE? 950 00:43:06,520 --> 00:43:07,840 YEAH? 951 00:43:07,880 --> 00:43:09,160 HE'S BACK, TOO. 952 00:43:09,200 --> 00:43:11,480 DID HE HAVE ANY KIDS WITH HIM? 953 00:43:11,520 --> 00:43:13,960 I DIDN'T SEE ANY. NOT THIS TIME. 954 00:43:15,200 --> 00:43:17,520 IS HE STAYING IN THE SAME TRAILER? 955 00:43:17,560 --> 00:43:19,800 ALWAYS. 956 00:43:23,560 --> 00:43:24,880 DID HE DO THIS TO YOU? 957 00:43:26,680 --> 00:43:28,000 IS HE THE ONE FROM NEW YORK? 958 00:43:28,040 --> 00:43:29,680 THE ONE YOU WERE CHASING? 959 00:43:33,720 --> 00:43:34,960 I KNEW A MAN LIKE YOU DOESN'T JUST 960 00:43:35,000 --> 00:43:37,160 SHOW UP ONE DAY TO CLEAN GARBAGE. 961 00:43:37,200 --> 00:43:38,640 A MAN LIKE ME? 962 00:43:38,680 --> 00:43:40,560 A MAN OF SUBSTANCE. 963 00:43:43,400 --> 00:43:44,480 CLEANING UP GARBAGE 964 00:43:44,520 --> 00:43:45,720 IS SOMETHING I'VE ALWAYS BEEN GOOD AT. 965 00:43:45,760 --> 00:43:48,160 GARBAGE LIKE GENOVESE? 966 00:43:48,200 --> 00:43:50,520 JUST LIKE THAT. 967 00:43:51,680 --> 00:43:53,960 ARE YOU GOING TO KILL HIM FOR IT? 968 00:43:54,000 --> 00:43:57,120 NO. NOT FOR THIS. 969 00:43:58,720 --> 00:44:00,840 I NEVER THANKED YOU PROPERLY 970 00:44:00,880 --> 00:44:03,360 FOR COMING TO MY DEFENSE THE OTHER DAY. 971 00:44:03,400 --> 00:44:05,480 NOT NECESSARY. 972 00:44:05,520 --> 00:44:07,640 [LAUGHS] 973 00:44:07,680 --> 00:44:10,080 ARE YOU SURE? 974 00:44:23,360 --> 00:44:25,120 I'M SURE. 975 00:44:25,160 --> 00:44:28,280 STORY OF MY LIFE. 976 00:44:29,480 --> 00:44:31,880 [♪♪♪] 977 00:44:38,680 --> 00:44:41,680 [♪♪♪] 978 00:44:55,240 --> 00:44:57,840 I'M NOT GOING TO FEED YOU. 979 00:44:57,880 --> 00:45:00,200 IT'S AGAINST THE LAW HERE. 980 00:45:00,240 --> 00:45:02,600 THOSE UPON WHO YOU'VE DEPENDED FOR SUSTENANCE 981 00:45:02,640 --> 00:45:03,960 HAVE TURNED AGAINST YOU 982 00:45:04,000 --> 00:45:07,680 AND DEEMED YOU A TOXIC BLIGHT UPON SOCIETY... 983 00:45:07,720 --> 00:45:11,000 AND THAT MEANS EMPTY BELLIES FOR YOU CHAPS. 984 00:45:12,280 --> 00:45:14,640 [LOUIS CHUCKLES SOFTLY] 985 00:45:14,680 --> 00:45:17,400 YOU'RE TALKING PHILOSOPHY TO PIGEONS? 986 00:45:17,440 --> 00:45:19,320 YEAH, BUT THEY DON'T LISTEN. 987 00:45:19,360 --> 00:45:22,040 WELL, I'M BEGINNING TO KNOW HOW THAT FEELS. 988 00:45:24,400 --> 00:45:26,520 I'M SORRY ABOUT INSPECTOR PRIDE. 989 00:45:26,560 --> 00:45:30,080 THANK YOU. 990 00:45:30,120 --> 00:45:33,720 THEY'RE NOT VERY SUBTLE, YOUR TEAM. 991 00:45:33,760 --> 00:45:35,000 PICTURES, HEADLINES... 992 00:45:35,040 --> 00:45:36,160 EVERYTHING, EVERYWHERE. 993 00:45:36,200 --> 00:45:38,360 [WINGS BEATING] 994 00:45:38,400 --> 00:45:40,360 AN AMERICAN DIPLOMAT 995 00:45:40,400 --> 00:45:43,720 SHOT AND KILLED BY A FORMER AMERICAN POLICEMAN. 996 00:45:43,760 --> 00:45:45,120 LUCKY YOU HAD HIM WITH YOU. 997 00:45:45,160 --> 00:45:47,760 LUCKY. YES. VERY. 998 00:45:47,800 --> 00:45:49,800 YOU THINK OF EVERYTHING, DON'T YOU, LOUIS? 999 00:45:49,840 --> 00:45:52,040 [CHUCKLES] 1000 00:45:56,480 --> 00:45:58,440 [SIGHS HEAVILY] 1001 00:45:58,480 --> 00:46:00,960 IT'S UNOPENED. 1002 00:46:01,000 --> 00:46:02,560 I CAN SEE THAT. 1003 00:46:05,200 --> 00:46:07,080 YOU ASKED ME ABOUT REBECCA. 1004 00:46:09,640 --> 00:46:11,840 SHE'S NOT GOOD, YOU KNOW. 1005 00:46:13,640 --> 00:46:15,680 [LAUGHS SADLY] 1006 00:46:15,720 --> 00:46:17,800 WE MAY NEVER BE... 1007 00:46:17,840 --> 00:46:20,120 I'M SORRY. 1008 00:46:20,160 --> 00:46:21,640 GO HOME, LOUIS. 1009 00:46:21,680 --> 00:46:23,680 BE WITH HER. 1010 00:46:23,720 --> 00:46:25,560 BE TOGETHER. 1011 00:46:25,600 --> 00:46:28,360 [♪♪♪] 1012 00:46:34,000 --> 00:46:35,720 ARE YOU STILL HERE? 1013 00:46:35,760 --> 00:46:40,120 SO MUCH FOR THE WISE WORDS OF AN OLD MAN. 1014 00:46:40,160 --> 00:46:43,880 WELL, MAYBE SOME OLD LADY WILL COME BY AND FEED YOU. 1015 00:46:43,920 --> 00:46:47,560 ME? I HAVE NO BREAD. 1016 00:46:47,600 --> 00:46:50,840 [♪♪♪]